<![CDATA[Belle Pietre (Beautiful Stones) Jewelry

<![CDATA[Belle Pietre (Beautiful Stones) Jewelry - Blog]]>Thu, 17 May 2012 15:57:51 -0800Weebly<![CDATA[Suffering]]>Mon, 26 Sep 2011 06:14:29 -0800http://www.bellepietre.com/1/post/2011/09/suffering.htmlI read this in a blog I subscribe to by Chris Guillebeau - a quote by Jim Rohn:

"We must all suffer one of two things: the pain of discipline or the pain of regret and disappointment."

I remember being told many, many times over the course of my life that all I needed for (fill-in-the-blank) was "a little discipline." From that, I learned that I must be weak-willed, and unable to do the things that other people were doing quite naturally.

The thing is, the fact that discipline IS (and always has been) what is required, is just as true as the fact that discipline is NOT easy - and never has been - for anyone.

If it were, artists wouldn't be tortured or depressed when inspiration fails, the entire human race would be at the weight that nature wanted them to be, we would all excel at whatever our hearts desired, and there would be no credit card debt.

Having written that, I can admit to knowing ONE person who is a shining star on all those fronts. One. And he is a success in his life, and an inspiration as a friend, except when I'm down and letting emotions, disappointments, or struggles get the best of me.

At that point, when all I want is a magic elixir to make everything right - poof - the best I can do for myself is to take the next right step. And it doesn't have to be a big one.

But I must take one.

And then tomorrow, another.

(For me, it doesn't seem to matter what it is...but surely something I don't feel like doing.)

And this is where reward of discipline shows itself, and its benefits are revealed in enormous proportion to the seemingly small effort I had to force myself to make. (And yes, I DO have to force it.)

When I'm envious of my friend, seeing the end product of a lifetime of discipline, I have to remember that it is the result of a first step, and then another, day after day, year after year, whether he wants to or not. And that habit is just as strong as the habit of it's inverse, procrastination, sloth, fearful laziness.

Huh.

OK, so I've taken this step of writing a blog post for the week this morning - heavens...even before coffee - and know that it will lead to another step I won't want to take today, but will.

And I know that I will have dodged the "pain of regret and disappointment" just for today.]]><![CDATA[Asking for Help...]]>Thu, 22 Sep 2011 13:02:54 -0800http://www.bellepietre.com/1/post/2011/09/asking-for-help.htmlIn June, I was asked to sing our National Anthem for the graduation ceremony of The Art Institute of Philadelphia.

The energy in the hall was as palpable as it was audible, from the crinkly cellophane of street vendor flower bouquets, to the hundreds of red, blinking eyes of parents' camcorders.

At this time in my life, I found it interesting and inspiring - and not a little melancholic - to be on the other side of the festivities, wishing so much that I could have known then what I know now. Several things stood out that afternoon.

First, there were a small group of students who excelled, with many of that select few picking up multiple merit awards. They shined. By comparison, the rest who filed up to received their diplomas, didn't. It thought, would they ever shine, if they weren't shining now?

Second, the one who shone brightest, perhaps not coincidentally, was the Valedictorian. I had to wonder if his magnetic personality, artistic optimism, and energetic vision brought him his academic success, or if his successes served to increase his charisma. I concluded that one must increase the other. It obviously didn't matter which way it worked in his case, because - either way - he had it! I envied him. A lot.

Third, the Dean's Address. It sounded quite simple: a 4-step plan for success. So laughably simple, in fact, that I wondered why one wouldn't just know these things. But like so many things in life, we (OK, I) think that complexity equals profundity.

The 4 keys to Success:
(1) Show up.
(2) Exceed expectations.
(3) Ask for help when you need it.
(4) Savor the experience.

Simple? Yes.
Easy? Lord, no.

Each step contradicts a corresponding human condition: (1) Procrastination, (2) Trying to get away with doing the bare minimum, (3) Stubborn self-sufficiency, and (4) Thinking that things could always be better.

So, in thinking lately about what to do about finding other retail locations for Belle Pietre, I've decided to heed step #3, by asking for help from friends and fans.

Do you know of, or are you a customer of, an artisan boutique in your area? One that handles hand-crafted items of all sorts, including jewelry? If you've seen my work, you'll be able to determine if the shop and Belle Pietre would be a good match.

I'd love to know of any such shops, and would be most grateful to you for helping to make a connection!

(...and I promise to savor the experience!)

]]><![CDATA[Control Freak]]>Sat, 27 Aug 2011 12:29:00 -0800http://www.bellepietre.com/1/post/2011/08/control-freak.htmlIt would seem that most of my ramblings, despite the intended subject matter, end up being about control...or the lack thereof.

This week as been an exercise in, and wake-up call to, just how little control I actually have. When I think of how many things I've tried exerting control over - people, situations, money, people (deserves to be mentioned twice, if not more), the creative spirit, discipline, my voice, what food I put in my mouth, what thoughts whirl around in my bean - I can see the folly of my repeated efforts.

Mother Nature has proven this week, with two blazing examples of her might - an earthquake on Tuesday, and now hurricane Irene, whose effects will be felt even here on Spruce Street tonight and tomorrow - that I actually hold little, or (gasp!) no, control over w-a-a-a-a-y more than I'd care to admit. So, the lesson from Irene is this - preparation is key.

Standing in line at Trader Joe's and CVS, stocking up on non-perishable foods, batteries and water (and, yes, a bottle of wine, too) I was feeling like an alarmist, since the day was so sunny and nice. I couldn't help thinking that it seemed like just another significant forecast that wouldn't end up being what had been anticipated as The Storm of the Century.

But the thing is, you just never know. So I lugged home my booty, and now I'm hunkered down, and prepared for a power outage and flooding.

On the 4th floor.

So how, then, does preparation play a part in giving up control?

It's being prepared, doing all that's possible, and then letting go to let the Fates step in...whether it's nature, an agent I'm auditioning for, a potential buyer for my jewelry, or a situation that I'm invested in working out in a particular way. I can really only do my best to be as prepared as possible.

So, I have potable water and batteries, and will be comfy here at home come what may. For the agent, staying in good vocal shape and knowing my repertoire cold allows me freedom to express and (dare I say it?) enjoy an audition. Having gorgeous new pieces of jewelry ready to show at my retail outlets, or on hand when a new client wants to see my work, gives me freedom from having to create on the fly.

It's one of those ironic things of opposition, I guess. Trying to control can only bring frustration, and giving up control can only bring freedom.

But only with preparation!

]]><![CDATA[For Art's Sake]]>Mon, 08 Aug 2011 13:11:13 -0800http://www.bellepietre.com/1/post/2011/08/for-arts-sake.html Inspired by a visit to the Philadelphia Museum of Art yesterday, I sat down this morning to create something, Belle Pietre-wise.

I put on some “noodle-y music “ – meaning background-y, unobtrusive, uplifting. Then, for something new, the kitchen timer was set for one hour, and I looked for a plausible reason as to why this was an auspicious day to work.

Numerology -wise, it was good. I added up the numbers of the date today, 8/8/2011, got 18, and then added those two numbers: 1+8=9, which was the square root of My Number: 3! (A little "out there," I know, but I’m alternately superstitious and fascinated by such things…)

I also vowed to myself that today was NOT going to be about completion, but rather playing around with the components to see what works, what doesn’t, what’s possible, or not.

As I put together, took apart, put together, and took back apart many combinations of beads, findings and spacers with the square Mother-of-Pearl pieces I was focused on using, I felt the all-too-familiar nudge-iness build. I wanted it done.

Now.

I let my mind drift, though, and it floated back to yesterday and the museum, and the story behind of one of the many famous Renoirs.

He had, apparently, labored over this painting for three years.

"The Large Bathers" 1884-87, Pierre-Auguste Renoir, 46 3/8 x 67 1/4"

3 years!

Granted, one Belle Pietre piece is barely equivalent to half a dewdrop on a single blade of Impressionist grass in the vast landscape of Renoir’s oeuvre, but I have to believe that the process itself is the same. Pierre-Auguste MUST have whined and wanted to chuck the whole thing countless times!

Long story short – just as the timer “booped” the allotted hour, I’d come upon a combination that made me happy, that worked in terms of scale and just-so-ness, and (how I best judge my work) it was something that I would be proud to wear.

With the Pressure to Complete off, the piece was...

...complete!

Medea ~ Iridescent Mother-of-Pearl squares swing from sterling silver ovals and narrow rings, along curved tubes and a decorative toggle clasp

Read more about The Large Bathers here: http://www.philamuseum.org/collections/permanent/59196.html
And more about Renoir and his works here: http://en.wikipedia.org/wiki/Pierre-Auguste_Renoir

]]><![CDATA[Yes, and...]]>Mon, 06 Jun 2011 16:57:38 -0800http://www.bellepietre.com/1/post/2011/06/yes-and.htmlIf you've never heard of Comedy Sportz, I highly recommend it. I was taken on a date to one of their events last summer, and fell in love with the "sport," and the dozens of men and women who hung their improvisatory comedic heinies out there!

Comedy Sportz is based on the same premise as Drew Carey's show, "Whose Line is it Anyway" from a few years back. As fascinated as I am by those who do it, and as intrigued enough as I am to think that maybe I could do it, it's the improvising itself that prevents me from running to sign up for the classes that Comedy Sportz offers locally, from newbie improvisers to advanced.

What I fear most, I suppose, is getting stuck in an unfunny spot and not being able to get out of it, or go further, and just having to stand there with comedic egg on my face.

I have a theory about being able to extemporize - that it's really a right/left brain thing, and that you're either equipped genetically to do it naturally, or you're not. I consider myself WAY too cut and dry, and OCD-y, to just be able to let fly and run with something new and unknown.

I read something recently though, that blows my theory out of the water. It seems that there really is a technique to it! The improv principle is known as “Yes And.”

It works like this: At the beginning of a scene, Character #1 begins by establishing setting and plot. The “Yes And” then comes into play with Character #2 accepting the premise and adding on to the situation, and NOT negating. The scene then plays out from there, always "Yes"-ing and "And"-ing.

It means going with the flow, with what has already been put forth and seeing where that takes you. Of course, I'm pretty sure that my immediate reaction would be to try to plan ahead, and then force the other person to go with what I had envisioned.

But that wouldn't create a true dialogue, would it? I'd have my own little monologue going, and just trying to force another person to play by my script, instead of being open to letting the eventual whole be better than the sum of my one part plus theirs!

It certainly does away with pre-concieved notions of how the scene will play out, and it forces all involved to really be in the present moment.

Searching around a bit on Google, I see that many have adopted and adapted this approach in business, team building, workplace efficiency, and although I haven't seen it, it must be helpful in conflict resolution and fair fighting in relationships. I can see, too, how it might help in my world, in teaching voice, singing, and in creating Belle Pietre baubles!

I'm thinking, in particular, about all the times, in a fit of creative urgency (read that, an upcoming show or a frantic commission deadline) I've gotten all my beads and supplies out on the table, ready to conquer them.

No sooner have I strung a handful of beads that I had thought would work up beautifully and easily, when I take one critical look, swipe them off the beading wire, and get immediately resigned, exhaling a frustrated sigh and "hurrumph".

So what would happen, then, if I stopped short of the "No But" and went with "Yes And"?!

Maybe I could look at what I'd strung and not throw in the towel immediately. I could keep what's there and add something: a different size, a contrasting color, an interesting focal bead to change the necklace shape, add a 2nd or 3rd strand for a more dramatic texture. Anything rather than scrapping it all, putting the beads away in their bag, and stomping off with a pout.

And if I did that, I'd get many more pieces made - and faster - and I'd end up with new and interesting items that I hadn't actually set out to make. Isn't that what creatives do?

It's like Comedy Sportz improvisers, who end up with very different story lines and funnier material than what they could have imagined starting out.

And therein, ultimately, lies the fun, the mystery, and - for control freaks like me - the challenge of improvising.

www.comedysportz.com

]]><![CDATA[But...but...but...]]>Mon, 23 May 2011 21:39:27 -0800http://www.bellepietre.com/1/post/2011/05/butbutbut.htmlThere's a wonderful blog post by NY voice teacher Susan Eichhorn-Young, entitled Suck it up, Princess. It addresses the all-too-human trait of 1) making excuses, and 2) finding reasons, for (fill-in-the-blank).

Truly, it's not as snarky as the name would suggest, but it DID come to mind lately - not only as it applies to me, but to others I've had dealings with recently.

Although it's comforting to think that Excuse Making and Reason Finding must surely be a Universal- and Part-of-Being-Human Thing, it is also endemic to artistic types for whom hanging their Creative Heinies out is a daily deed. But then isn't that just another excuse? (And if not an excuse, then surely it must be a good reason!)

The remedy, I think, is another of those Simple But Not Easy things:

INTEGRITY

Dictionary.com defines it thusly:
[in-teg-ri-tee] –noun 1. adherence to moral and ethical principles; soundness of moral character; honesty. 2. the state of being whole, entire, or undiminished. 3. a sound, unimpaired, or perfect condition.

Oooof, that's a lot to ask, isn't it? Sisyphus and his big ole boulder come to mind, exhausting me before I can even start, with the very notion of the herculean effort of his (literal) uphill battle.

As much as I like to make complicated things even MORE complicated, I would offer this, decidedly UNcomplicated, definition, that resonates with me not so much because I naturally embody, it, but because it is SO NOT what I want to hear:

"Integrity is doing what you say you're going to do when you say you're going to do it."

Like I said - simple but not easy.

So, here's a challenge: Think about one little thing, anything really, you've been stalled on, or have been procrastinating about. Now see if there is an element or an issue about it where you're "out of integrity." (I've done it already, and I'll bet you a quarter that it will unleash a herd of excuses and/or reasons, just like it did for me.)

But instead of staying stuck in that and the ensuing self pity - or worse - self-flagellation and scrutiny, look rather to see what's missing, and then go to any length to make just that ONE little thing right - to get back "IN integrity."

And it's going to feel good. It really will. And then it'll possible to do that other thing, and then another. And then maybe a bigger thing, maybe something that's REALLY important, and will mean something in the Big Picture.

Another benefit? - other people will be WAY less annoyed.   No one really wants to hear excuses and reasons for "why" do they? I don't want to hear them from others, and it's getting so even I'm tired of hearing my own.

Alright then, now we're getting somewhere!

Read Susan Eichhorn-Young's entire post here:
http://susan-oncemorewithfeeling.blogspot.com/2010/03/suck-it-up-princess.html

]]><![CDATA[...Lest Ye Be Judged]]>Wed, 18 May 2011 14:25:38 -0800http://www.bellepietre.com/1/post/2011/05/lest-ye-be-judged.htmlThis past weekend, I was asked to judge the Bristol Riverside Theatre's talent competition - StarPower 2011. For the countless times I've been on the other side of the adjudicators' table as a singer, I'd yet to ever be The Judge.

My view of what it took to be a judge was to have a large pad of paper, doodle mindlessly while chatting with the other judge(s), or shuffle noisily through papers, all with a pained - or, even worse, bored - expression on one's face.   At least that was my view, from the OTHER side.

But now I've experienced it - as Joni Mitchell sings - from "Both Sides Now."

Having sat for an evening in the judges seat, I can see clearly that the people listening to me over the years really WERE looking for me to succeed. They still do. They WANT me to be good - so that they can fill their slot on a roster, or cast a show, or find a fabulous someone to feature as a soloist in a concert.

It's hard to admit that I've STILL thought of those people as being like my freshman music theory teacher, Dr. Mary Arlin, who simply MUST'VE been an inherently evil person, and was out to get me, a pretty young voice student who would rather learn new repertoire than begrudgingly do her theory homework.

On Saturday evening, I really DID want every contestant to wow me, and was disappointed when they didn't. Sometimes, it was because a song was just not right for them, or they were copying the original artist and not making it their own. Sometimes, it was due to over-doing, or under-doing, or just plain NOT doing because of inexperience or nerves.

The beauty part, was that I could relate to each and every act I judged. And I learned something HUGE for myself - and for every other person that hangs their Creative Heinie out there in the world:

~ Do what you do best - and don't stop until you figure out EXACTLY what that is.

~ Don't EVER try to be someone else. Make whatever it is you do your own. Own it!

~ Work at what you're doing, figure out what works and what doesn't, and know it SO well that it becomes second nature, and then when you get a chance to do what you do, you can BE in the moment, DOING what you do expressively, organically, honestly.

And then you'll earn the right kind of attention from the judges.   After that, the Apples and Oranges Thing applies. Whether you're the right type, the right act, the right whatever they need.

Simple? Yes.

Easy? No!

But that's what's involved in EVERYTHING in life that we pour our best selves into. And for those who can't, won't, or don't fully commit to whatever the "something" is, THIS is the issue that can actually make it less painful to NOT commit.

For someone who has a strong aversion to criticism, even the constructive kind, I suppose it's ironic that I would subject myself to years of it in the arts, opera and classical music specifically, and now - in addition - with creating jewelry.

I've read many an inspirational story (and a billboard along the way somewhere) that offers comfort, by reasoning that a baseball player's hitting average that will land him in the Hall of Fame is one where he's struck out 7 times out of 10. As assuring as that can be, though, the average for artists and creative types is typically even LESS.

But isn't that what makes it all that much more worthwhile - when I get called for a gig, have an awesome opportunity to sing and perform again with colleagues I haven't seen in years, or be accepted to show my work at a juried Art Exhibit. It IS worth it, and it always has been, no matter how many times I may have "struck out" first.

]]><![CDATA[Neophyte no longer]]>Mon, 27 Sep 2010 21:00:20 -0800http://www.bellepietre.com/1/post/2010/09/neophyte-no-longer.htmlSo what's the most fearsome thing about doing something new? Well, uh, actually DOING it. Figuring out what needs to get done, how to do that, and well, just doing it.

That happened recently at my first public showing at the Philadelphia Designer's Market. There's a bit of back story (isn't there always?) that started right after Easter when I was rehearsing at First Baptist Church for a large work we (Alan & I) were to perform in the service the next day.

Upon finishing, we were drawn from the sanctuary to the brightly-lit Education Hall which was ABUZZ with people and display tables of handmade items, mostly wearable things in the way of designer tee's, accessories, clothing and jewelry.

Well, my Jeweldar (radar which will "beep" out significant jewelry within a certain radius) went wild, and I had the thought that I should do the next event with Belle Pietre!

I went home, put a note in a book I keep for such inspirations and promptly forgot about it. Fortunately, Danelle, the awesome creatoress of this event, had taken my email address and, long after I'd given it it's last thought, an announcement popped into my Inbox for the next event, being held mid September.

In a flurry of reckless optimism, I payed my registration fee then and there through PayPal. My work was accepted - and good thing, too, for if I hadn't acted on impluse, I most likely would have been turned away since they can only accept so many jewelry designers!

As with most things, rather than working calmly and methodically all summer leading up to the event, I did most of the work in the last two weeks. For me, I suppose it's the thrill of drama and potential creative peril that keeps me doing things that way. Or maybe it's the age-old Rescue Fantasy we all have, the idea that someone might save us from this New Thing I Don't Know How To Do.

However, with necessity being the mother of invention, and time getting REALLY short (as was my sleep), an excitement - alternating with thoughts of "OMG, what am I doing???" - took form, and ideas began to come unbidden!

I could begin to see what I wanted the display table to look like, and then thought of who I could ask for props, and help with visual design. And with that framework in place, things and people and ideas all started to appear in my path

It was extraordinary, really, how inspired the process got when I realized that I really wasn't doing, and didn't HAVE to do, it myself. Of course, my stubborn, self-sufficient Only Childness had to put a sock in it, but the result of letting go of even a snitch of control was beyond my wildest imaginings!

Out of this experience, and talking about the doing of it, other inspired ideas have come, as have offers of encouragement and help. And isn't that the best stuff of the Creative Life?

As a result of this "first" and sharing the story of it - and honestly admitting the accompanying creative angst - I was offered a gratis session with professional Creative Consultant, Maryann Devine this week. She will, in turn, use the transcript of our session as the basis for one of her incredible blog entries.

(Do have a gander at what Maryann's work is all about at:
http://www.smartsandculture.com/.)

I suppose then, that just proves the point of the foolhardiness of trying, or even thinking of trying, to do this Creative Thing alone! I don't think we were meant to, and those who do are missing out on the sweet reward of being encouraged by others and then passing along at least a bit of what's been received to another.

I know for sure that it's sweeter to share what I've learned and have been given, than to try to keep it all for myself!

With special thanks to AVA Dean of Students Val Starr; David Tinsch, Friend & Visual Design Consultant Extraordinaire; each customer and EVERYONE who came by and gave such positive feedback for my creations!

Above, the finished display the day of the show.
Below, senior partner of the Belle Pietre Design Team hard at work the day before.

Above, beautiful Jennifer, who - just like I used to do with new Buster Brown shoes as a kid - wore her "Vitellia" necklace out of the show.
Below, Judy was thrilled with the TWO pieces she purchased, including the 4-strand amethyst "Lucia" that she put on immediately!

]]><![CDATA[inertia [ɪnˈɜːʃə -ʃɪə]]]>Fri, 30 Jul 2010 09:15:28 -0800http://www.bellepietre.com/1/post/2010/07/inertia-n.htmln. 1. Physics The tendency of a body to resist acceleration; the tendency of a body at rest to remain at rest or of a body in straight line motion to stay in motion in a straight line unless acted on by an outside force. 2. Resistance or disinclination to motion, action, or change.

I am resisting acceleration. I am stuck. And I've just searched the internet for some sort of little-known Law of Physics that would give me a remedy, a template of how to defy inertia. And, disappointingly, but not surprisingly, there ISN'T one!

Ugh, here I am (again), with a list of To Do's as long as my arm. One item contained therein, naturally, is to write a blog entry. So even the thing that I purposely chose to keep me accountable is, well, NOT.

And how I hate to put it out here, again, like so many things I've not pursued, continued, finished in my 4+ decades of living. I just hate admitting it. I feel like a 5 year old who didn't bring her signed parental permission slip back to school, and am the only one NOT getting on the bus for the field trip. And look how much fun everyone else is having!

And yet, I surely CAN'T be the only one. Out of 6.3+ billion sentient beings on this planet, there MUST be others that share this cycle with me. Could it simply be part of human nature? Part of the way I am as one of those humans?

Is Being Human one of those afflictions for which drug resistant strains are ever forming? Can I not avoid it? What if it IS just a given? And what if knowledge and acceptance that THIS is the way I am, is the key?

And what if taking one teensy-weensy action step could far outdo the meanest things that I say to myself (and then the rebellious 5-yr. old reaction that says, "YOU can't tell me what to do!")

Looking at the definition again, "the tendency of a body at rest to remain at rest...unless acted on by an outside force.", I see that this is an outside job.

It's not about mental tweaking, psychological seismic shifting, nor soul-searching archeological digging, but action, no matter HOW small. Just one little snitch of movement. One infinitesimal completion.

So what would/could happen if I took on being the "Outside Force" in acting upon the straight line of my Creative Inertia?

As long as I don't feel like I have to move the entire mountain, I can certainly take one small step up it...for today!

"A small daily task, if it be really daily, will beat the labors of a spasmodic Hercules"
~ Anthony Trollope
]]><![CDATA["Today's transformation...]]>Tue, 08 Jun 2010 15:20:08 -0800http://www.bellepietre.com/1/post/2010/06/todays-transformation.html...is tomorrow's ego trip."

I heard that in a seminar several years ago, and when I remember to abide by it, it keeps me going, and working toward the next goal, the next accomplishment, the next New Thing that opens me up to new experiences.

It's so easy for me to finish something, feel relieved and self-satisfied, clean up and put things away, and smugly wait for the lauds and praises to come.

But, sadly, I can only ride on the coattails of one victory for so long, and then the Statute of Limitations expires on how much mileage I can get from it.

I mean, eventually, I'll HAVE to stop talking about my trip to Istanbul, won't I? And, despite numerous sales, lately, of Belle Pietre, my supplies need to be replenished to create more beauties, and the pieces that aren't moving, reworked into new designs.

It's the same with singing - when one performance is over, there simply HAS be another audition to prepare for, so that there will be more work in the future.

And, when one relationship ends, unless I want to sound like so many ladies who say that it's just not worth it, and that they're VERY happy with their big dogs, thank you, I can't expect Prince Charming to knock on my 4th-floor door without me putting at least some effort into the matter.

So, to work I go.

I'm thumbing through magazines I picked up at Charles de Gaulle airport, showing where Delta & Air France go, to start dreaming of the next travel adventure. I went to NY for a lesson yesterday and bought THE most gorgeous strings of beads, and then registered for the Philadelphia Designers Market to be held on September 18th, just to keep me motivated. I'm learning and studying new repertoire appropriate to what my teacher has up his sleeve next for me. And, I'm looking forward to meeting a handsome, funny man on Thursday for the first time.

"...it is the courage to continue that counts."
~ Winston Churchill

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